Lines Matching full:destination
104 <td>Both the color and the alpha of the destination are
105 cleared. Neither the source nor the destination are used (except for
111 <td>The source is copied to the destination. The destination
117 <td>The destination is left untouched. The source image is
123 <td>The source is composited over the destination. this is
130 <td>The destination is composited over the source and the
131 result replaces the destination.</td>
136 <td>The part of the source lying inside of the destination
137 replaces the destination.</td>
142 <td>The part of the destination lying inside of the source
143 replaces the destination. Areas not overlaid are cleared.</td>
148 <td>The part of the source lying outside of the destination
149 replaces the destination.</td>
154 <td>The part of the destination lying outside of the source
155 replaces the destination.</td>
160 <td>The part of the source lying inside of the destination is
161 composited onto the destination.</td>
166 <td>The part of the destination lying inside of the source is
167 composited over the source and replaces the destination. Areas not
174 destination is combined with the part of the destination that lies
175 outside of the source. Source or Destination, but not both. </td>
184 <p>Many of these compose methods will clear the destination image which was
209 <td>The source is multiplied by the destination and replaces
210 the destination. The resultant color is always at least as dark as
218 <td>The source and destination are complemented and then
219 multiplied and then replace the destination. The resultant color is
227 <td>The source is added to the destination and replaces the
228 destination. This operator is useful for averaging or a controlled
242 destination image. When transparency is involved, opaque areas is
243 subtracted from any destination opaque areas. </td>
249 destination image. When transparency is involved transparent areas are
251 the destination image. </td>
257 the lighter. Painting with white inverts the destination color.
265 destination color. Painting with black produces no change.</td>
270 <td>Selects the darker of the destination and source colors.
271 The destination is replaced with the source when the source is darker,
277 <td>Selects the lighter of the destination and source colors.
278 The destination is replaced with the source when the source is
334 <td>Brightens the destination color to reflect the source
340 <td>Darkens the destination color to reflect the source
348 destination color. Source colors overlay the destination whilst
349 preserving its highlights and shadows. The destination color is not
351 or darkness of the destination.</td>
357 color value. If the source color is lighter than 0.5, the destination
359 than 0.5, the destination is darkened, as if it were multiplied. The
362 destination is unchanged. Painting with pure black or white produces
377 color value. If the source color is lighter than 0.5, the destination
378 is lightened. If the source color is darker than 0.5, the destination
381 and 0.5. If it is equal to 0.5, the destination is unchanged. Painting
423 '<code>Src,</code>' but without clearing the parts of the destination
431 same channel in the destination image. If the channel specified
440 <td>Replace any destination pixel that is the similar to the
491 'over' the 'destination' image. If <var>src_percent</var> is
510 the 'destination' image. Thus it is equivalent to <code>-blend
519 <br/>Merge the source and destination images according to the formula
537 <br/>Take a grayscale image (with alpha mask) and modify the destination
553 displace the lookup of what part of the destination image is seen at
569 percentage arguments to refer to the destination image size instead.
584 edge of the destination image, according to the scale given.
587 destination image, but also the image the center offset of the lookup.
589 destination image.
